Hello!

Ciabatta bread.

I love to bake.

I hate cleaning and laundry with the undying fire of a thousand suns. . .

but I love baking.

I lived in Italy for almost a year and a half and fell in love with the breads. Especially Ciabatta. It is my new goal to lean how to bake it. It takes some planning because you use a biga – a starter – so you can’t just throw the recipe together. The above picture is my second attempt.

The first was frightening. Luckily I have family willing to sacrifice and eat the trial versions.

It still isn’t quite right. The crust is better (yum), but the interior needs to be more open and airy.

I will be trying again!

Grammar is our friend.

Grammar. Huh-

If you haven’t read ‘Eats, Shoots and Leaves: The Zero Tolerance Approach to Punctuation’ by Lynn Truss – you really should. I didn’t think I would find myself laughing out loud at a grammar book, but I did.

I find that without any formal training I am having to do a lot of digging on my own. My big grammar issue now is punctuation for dialogue. Technical writing courses (the classes I took) do not involve a lot of witty banter.

I think my problem with punctuation is that when I read, everything disappears except the story. Even when I was trying to look specifically at different books to see the punctuation I would get caught up in reading and miss how it was being punctuated.

Like this gem- when your quotation goes on for more than one paragraph – you don’t place quotation marks at the end of the first paragraph (which I knew), but you do place quotation marks at the beginning of the next paragraph to indicate that the quotation continues. I had no idea.  I think I noticed it one time and just thought that someone had dropped a quotation mark.

Sad how one can be very educated in one field and completely ignorant in another. I’ve got a road ahead of me.

Time to go edit dialogue.  What is your worst grammar stumbling block?

Character motivation / emotional response

I’ve been thinking a lot about believable character motivations and emotions lately. I read a book recently that reinforced what I had been working on in my own writing.

It was a fun book- really cute idea and character voice. My issue was this: there was a really cute boy that the main character (MC) was drawn to. Problem = he was a jerk. Not just a ‘one time, maybe he was having a bad day’ kind of jerk but a serious jerk. -Including a humiliating bet-

But of course, within the space of a few pages he went from ‘Hot Jerk’  to ‘Hot Boyfriend’. Whaaat?

I didn’t buy it (or the step-sister’s turn-around) and the rest of the book I was in disbelief. I didn’t understand her motivation to trust him. I didn’t feel like she reacted like a real person.

In my own writing I had run into something similar. My MC was thrust into a situation completly different from everything she knew. Now I knew she was safe, and I knew the people who were there were nice so I had her responding slightly suspicious but accepting the explanations easily.

The editor that looked at it asked me a question that changed my approach. “Is this how a seventeen-year old girl would really react in this situtation?”

Woah. She didn’t know she was safe. That requires a different reaction entirely. Now it rings more true as a ‘real’ emotional response. The funny thing was, that as soon as I saw the question I realized if it had been someone else’s book I would of totaly responded with a ‘No way she would be doing that!’.

So, now for a question. How do we make sure that our character’s emotions and motivations are realistic? And if they aren’t what you would think of as the ‘normal’ response, how do we set it up so that is is believable to a reader?

Books Read in February

Victory of Eagles by Naomi Novik

One Good Knight by Mercedes Lackey

Magic Bites by Ilona Andrews (re-read)

Magic Burns by Ilona Andrews (re-read)

Magic Strikes by Ilona Andrews (re-read)

Key Lime Pie Murder by Joanne Fluke

Mermaid’s Madness by Jim C. Hines

Cursor’s Fury by Jim Butcher

Captain’s Fury by Jim Butcher

A Princess of Landover by Terry Brooks

Heist Society by Ally Carter

Halfway to the Grave by Jeaniene Frost

What makes you return to a book?

I recently read the book Fire by Kristen Cashore. If you haven’t read it (or her first novel, Graceling) you really should. I tried to sleep that night, but scenes from the book kept playing in my head.

I had to get up and reread them.  What is it that drives you to reread a book, or parts of a book?

Is it the action scenes? Is it mystery? Is it emotion? Is it dread?

I believe for me it is the characters and emotion. If I am emotionally invested in the characters, then I live their experience through them. The scenes I end up rereading are dialog scenes. Those perfect conversations that make you think ‘Oh, I wish I would have thought to say that.’   The conversations that draw out the emotional ties between characters.

*sigh* and now the real trick. In writing, how do you make your dialog resonate with the reader?

Books read in January

Fire by Kristin Cashore

Sugar Cookie Murder by Joanne Fluke

Peach Cobbler Murder by Joanne Fluke

Cherry Cheesecake Murder by Joanne Fluke

Armed and Magical by Lisa Shearin

Trouble with Demons by Lisa Shearin

Must Love Hellhounds by Charlaine Harris, Nalini Singh, Ilona Andrews, Meljean Brook

Black Heart (Vampirates book 4) by Justin Somper

Endings

I changed my ending.

I was never really fond of the original ending. But I thought it was necessary because it was the way that my MC (male) would have responded due to his background and childhood. So it sat. And I still didn’t like it much.

I was struck as I went through the revision with a realization.  It may have been how He would have thought it should end, but not my MC (female). The first ending had her respond the way she would have at the beginning of the story, before she had gone through everything and grown.

So, my new ending is how the new She would respond.

I like it better 🙂

Writing

I had put away my story. It had been months since I even looked at it. Not that I haven’t thought about it, it is always bouncing around in my skull. I just hadn’t a chance to dive into it.  Well, yesterday I opened it up again and wrote. And wrote. For more than four hours I was lost again in my world. It was fun!  I’m excited about polishing it and moving on to the next step – an agent.

Of course, waking up this morning to get the kids to school after falling asleep at almost 3:00 in the morning – not so fun.

Books read in November and December

November:

The Magician’s Elephant by Kate DiCamillo

Forest Born by Shannon Hale

Strawberry Shortcake Murder by Joanne Fluke

Soulless: An Alexia Tarabotti Novel by Gail Carriger

Leviathan by Scott Westerfeld

Raven’s Gate by Anthony Horowitz

The Black Circle (39 Clues Book 5) by Patrick Carman

In Too Deep (39 Clues Book 6) by Jude Watson

Blueberry Muffin Murder by Joanne Fluke

Lemon Meringue Pie Murder by Joanne Fluke

Starclimber by Kenneth Oppel

Small Favor by Jim Butcher

December:

Furies of Calderon by Jim Butcher

The Farseekers by Isobelle Carmody

The Academ’s Fury by Jim Butcher

Fudge Cupcake Murder by Joanne Fluke

Turn Coat by Jim Butcher

Bloodhound by Tamora Pierce

The Stepsister Scheme by Jim C. Hines

Magic Lost, Trouble Found by Lisa Shearin

Sea Glass by Maria V. Snyder